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The Last Year of Being Single Book Review Summary

Detailed Plot Synopsis of The Last Year of Being Single



Red Dress, Nov 2003, 12.95, 288 pp.
ISBN: 0373250401

Everyone who knows Sarah Giles believes her boyfriend, investment banker Paul O'Brien is Mr. Perfect. Everyone believes that except Sarah. She knows he is handsome, nice, has a good job, and will spend money on her. However, she feels their relationship lacks passion.

Sarah meets the Regional Director of Rogerson Railways John (that is his name, honest cowboy) Wayne. Though he is a womanizer, she finds the double entendre emails exciting and the secret lunches even more so. While Paul wants to become engaged, John also wants to move to the next level of passionate lovemaking. Sarah must choose between bland, faithful, and steady or exciting, undependable, and wild. Will she select a person who will never cheat on her or an individual who will probably make her a notch on his belt?

THE LAST YEAR OF BEING SINGLE is an amusing but at times serious look at modern day relationships. The story line focuses on Sarah torn between two lovers. Fans will empathize especially those about the same age as the heroine (twenty to thirty something) while those geriatric boomers will tell her to make up her mind based on the one the she feels the most spoons full of love. Though at times inane, Sarah Tucker's novel is a fun character study, but will she and to whom requires reading the novel.

Harriet Klausner
This report prepared by Harriet Klausner








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Chapter Analysis of The Last Year of Being Single

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Plot & Themes

Time/era of story    -   2000+ (Present Day) Love Triangles/Polygons    -   Yes What kind:    -   one woman-two men

Main Male Character

Profession/status:    -   business executive Age/status:    -   20's-30's

Main Female Character

   -   20's-30's Profession/status:    -   secretary

Setting

United States    -   Yes The US:    -   Northeast

Writing Style

Accounts of torture and death?    -   no torture/death What % of story is romance related?    -   60% Focus of story    -   equally on 3 in a l-triangle How much dialog    -   significantly more dialog than descript

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Sarah Tucker Books Note: the views expressed here are only those of the reviewer(s).
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